- L. Frank Baum, "The Land of Oz"
The U2 fan community at interference.com has got a nifty message board page with forum titles like "Don't Expect, Suggest" and "Everything You Know Is Wrong."
The forum titles are taken from various U2 song titles, quotations, lyrics, and factoids. I'll give a few examples here. I'd say if you can quickly identify the source for 9 out of 10 of these titles, then you're a hard core fan. If you get 10 out of 10, you need to get a life. If you get anything below 7 out of 10, you need to go back to your Beatles Rolling Stones records.*
DON'T EXPECT, SUGGEST
EVERYTHING YOU KNOW IS WRONG
INTRODUCE YOURSELF IN THE BABYFACE CAFE
RESTART AND REBOOT YOURSELF
PEELING OFF THOSE DOLLAR BILLS
ALL I WANT IS U2
EVERY ARTIST IS A CANNIBAL, EVERY POET IS A THIEF
STUCK IN A MOMENT
DISCOTHEQUE
THE GOAL IS SOUL
*updated at 4:38 p.m.
Trackback URL: http://thinklings.org/bloo.trackback.php/5636.
U2 is a good band. Heck, a great band.
But I've never figured out why telling someone to "go back to your Beatles records" is a put-down. The Beatles are, arguably, and by almost every conceivable measure, the most transitional and greatest band in modern pop history.
(I'm getting a distinct feeling of deja vu. Seems like we've had this discussion before :-)
every conceivable objective measure
I'd argue that measuring musical "greatness" is more subjective than objective. Hence, we get into little spats like this one. :-) Of course, I realize that you're talking about "objective measure[s]." In that case, you'd have to let strong objective performers like Michael Jackson into the equation as well. I don't have a problem knowing that, objectively, Michael Jackson has outperformed U2. I still think U2 is greater. :-)
I've never figured out why telling someone to "go back to your Beatles records" is a put-down.
It was meant as light-hearted humor. Not a put-down.
The Beatles are, arguably, and by almost every conceivable measure, the most transitional and greatest band in modern pop history.
Alot of bands had better musicianship. A few bands had more impressive lyrics. A few bands had better songwriting. But taken on the whole, and especially considering their influence, The Beatles still reign supreme. Pretty much everyone who has come after them was either imitating them, building on them, trying to one-up them, trying to repudiate them, or building on someone who had already tried to do these things.
So, all you little Millenials out there, stick that in your iPod!!!!
Oh, and by the way, I have it on good authority that Bono has walked on water only once, and got seasick.
Each year it gets harder for me to believe that U2 isn't a better band than the Beatles. Two years ago, Beatles no question. Today, I waffle. Next year I'll be down with U2 as the best all time, I bet.
Their influence on other musicians and music in general is rapidly catching up to the level of the Beatles.
And lyrically they've already bested the Beatles in the substance department.
I hear the Beatles and say, "Wow."
I hear U2 and say "Hallelujah."
Hallelujah wins for me.
I'm still kinda' waiting for someone to affirm my U2 hardcoreness...
Also, what Jared said. Like it or not, U2 has had that kind of enduring influence on culture. They're kind of everybody's band, even for those who aren't particularly fans, just like the Beatles once were. Going to their Atlanta show was crazy-hanging out with folks my dad's age, and a 12 year old at his first show. Pretty cool, and especially so when Bono led us in Amazing Grace...
I would never argue that the Beatles lyrics are better, on a spiritual level, than U2s.
And I'm sure U2 has had a big impact on a lot of bands. They've been around forever. I don't see it (for instance, I can't think of a band that is U2 derivative) but, as those who know me know, I'm not exactly up on pop-culture.
I don't know what U2s impact on culture has been either. Serious question: what's been their impact?
The Beatles impact on culture was huge. And, for the most part, negative (my opinion). I would never argue that the Beatles were good influencers, culture-wise (music-wise? Completely different matter).
I realize this is a matter of opinion. And my guess is opinion will be split somewhere around those born before, say, 1973 and those born after. And since you younger pups have more energy than we do, we'll soon concede :-)
But I think the Beatles arrived at a moment of extreme change. Look at music that came before, say, 1960, and music that was being played in 1970. It was a complete paradigm shift. Not that the Beatles caused that. But they influenced a lot.
From my point of view, there just hasn't been that much of a shift in the musical paradigm in the last thirty years to even give U2 a chance to have been influencers on the Beatles level. It's not their fault.
I don't think this is a resolvable debate :-) - maybe Bob will take up the charge here (ha ha).
(and, forgive me, everyone. I know U2 has had a huge spiritual impact on many of you. I completely missed that. Joshua tree came out after I graduated College (meaning: after my prime music-listening years). I'm probably not alone. We codgers just don't get it.)
Although, for what it's worth:
"I hear the Beatles and say, "Wow."
I hear U2 and say "Hallelujah."
Hallelujah wins for me."
DOES succeed in making me feel like an unspiritual philistine.
Oh, and finally . . . (no, really - finally. What, you don't believe me? :-)
Bird, I just saw your update. Well done! The Rolling Stones - THE MOST OVERRATED BAND EVAH!!!!!!
Also, back to your post: I got a "1" (Stuck in a Moment).
[Bill slinks away . . .]
Heh - well, I was going to back out, but Bird keeps on pulling me back in.
I think that there's a problem with using objective terms ("greatest") when what's really being talked about is a subjective value ("favorite").
For instance - Beatles = WOW, U2 = Hallelujah. Therefore, U2 = Greatest. I'm good with everything up until that last bit.
I got to thinking about this. Relient K makes me say "Hallelujah" way more than the Beatles and quite a bit more than U2. But I'd never argue that RK is "greater" than those two bands. I'm so tone-deaf when it comes to U2 - when I hear I still haven't found what I'm looking for (a song that sends U2 fans into raptures of praise) I wonder what the heck. Jesus isn't enough for you, Bono?
On the other hand (I have about six hands here): we're arguing two eras.
I will give you this: U2 is the greatest pop band of the modern era. And by modern era I mean from 1980 on.
Arguing U2 versus the Beatles is a little bit like arguing Scott Joplin versus Glen Miller. Two different eras.
So, I'll give you this. Both bands are the greatest. And incomparable to each other.
[Bill slinks away again, knowing that he'll probably sustain shrapnel wounds, if nothing else, after daring this comment]
I don't see it (for instance, I can't think of a band that is U2 derivative) but, as those who know me know, I'm not exactly up on pop-culture.
Coldplay and Radiohead, arguably the biggest rock bands of the last fifteen years, both cite U2 as their biggest influence. In the former, at least, it's obvious.
Beatles = WOW, U2 = Hallelujah. Therefore, U2 = Greatest. I'm good with everything up until that last bit.
You took the I's out of my statement. "I hear the Beatles and say wow, I hear U2 and say hallelujah, and hallelujah wins for me."
I know I'm appealing to the subjective here, but whether you're "good" with that last bit or not is beside the point, really.
I say U2 is (going to be) greater because I find their music is more transcendent.
Btw, "I Still Haven't Found What I'm Looking For" doesn't mean he has Jesus but wants more, but that he has everything but until he gets to heaven everything isn't enough. It's sort of a riff on 1 Corinthians 13: "If I speak in tongues of angels but have not love . . ."
I always got the sense that "Still haven't found what I'm looking for" was kind of a precursor to U2s slide in the late 80s/90s away from faith, but that they regained their bearings and came back strong in the late 90s/2000s.
I know I'm appealing to the subjective here, but whether you're "good" with that last bit or not is beside the point, really.
I apologize.
I think the more apt comparison is that the Beatles are Bono and U2 is the Edge. :-)
I always got the sense that "Still haven't found what I'm looking for" was kind of a precursor to U2s slide in the late 80s/90s away from faith, but that they regained their bearings and came back strong in the late 90s/2000s.
A common misconception. Sure, U2 changed their style, and in many ways their attitude, in the 90s. But the albums from the 90s -- Achtung Baby, Zooropa, and Pop -- have just as much "soul" as their stuff from the 80s and 2000s. When Pop came out later in the 90s the writers were saying it had more spiritual references than any of their previous albums, 1980s albums included. When people think of U2 from the 90s they think of images from the grandiose Zoo TV and Popmart tours. What the average fan or observer might not realize, though, is that the U2 of the 1990s tours was all about parody. Their lyrics didn't deviate. They didn't all of a sudden start singing about sleeping with chicks and doing drugs in the 1990s and then switch back to spiritual things in the 2000s.
(And I have no idea why I'm criticizing the Beatles, who are awesome and (for the moment) better than U2. :-)
I think that you're following the prompting of the Holy Spirit. :-)
the Beatles are Bono and U2 is the Edge.
Then that settles it. They're equally great!
A common misconception.
OK, I'm no longer in the Beatles vs. U2 debate. I'm honestly asking a question (so, I'm not baiting you or anything).
I was, in a way, "there" in ways you guys weren't (because I'm way older :-). I remember in the early 80s being jazzed about this new band that did Bible studies backstage and had really good songs like Gloria, Forty, etc. Over time they appeared (I say "appeared") to change and I just figured that another one had bitten the dust. A friend of mine from work went to the Achtung Baby show and commented on Bono standing up there screaming "I'm F---- Awesome!" and then handing out Achtung Baby condoms, etc . . .
OK, I'm ok with all that being parody, on purpose, etc., even though I was one of those occasional fans who didn't catch the nuance. But I specifically remember Thinklings Moots where we talked about how U2 had, in at least some ways, gone away from the Lord for awhile, a good while, but had come back. I mean, we had those conversations, right? Remember the email discussion we had ten years ago, pre Thinklings, about the Bono quote stating that he doesn't really consider himself a Christian?
I'm convinced that U2 is legit, spiritually. But I thought it was settled fact that that wasn't always the case. Which I'm totally OK with. Now is a lot more important than Then.
Once again, I may very well be wrong on this.
I don't think this is a resolvable debate :-) - maybe Bob will take up the charge here (ha ha).
Saddle up, Bill. Lock and load.
So, I'll give you this. Both bands are the greatest. And incomparable to each other.
SADDLE UP, BILL. LOCK AND LOAD.
I don't know. Greatest, shmeatest. (You know, that's the first time I have ever typed "shmeatest" in my life.) Who knows? The thing is though, The Beatles influence is undeniable to all but the deranged. And U2 is, well, yeah, they're good. Maybe the best band recording today, "best" being musically talented and lyrically serious. But alot of that is just U2's staying power, because several bands unarguably better than them have come and gone during their career. Their claim to greatness rests mainly on their demonstrated staying power.
And it's that staying power I -- and alot of codgers like me -- just don't get. I could point out (but won't) things about their early sound and their history as a band that make them look pretty much like, well, everybody else who recorded through the 80s and 90s -- an early inspired but stumbling phase, a cheap sell-out phase, and then the icon phase. But somehow, in the minds of many of their fans, they are sort of the Platonic Ideal of The Band made flesh. They have always been and always will be the One, True Band.
I think I get U2, particularly their later stuff. And they're good. They have made a substantial contribution to Western pop/rock music -- along with many other bands who are equally good if not superior. What I just don't get it why I should think they are any better than that.
Bill, I don't remember that conversation, but I could be forgetting it.
I do remember discussing King's X in ways like that, and I do vaguely remember talking about Jerry Gaskill saying he doesn't really consider himself a Christian or something like that.
Not saying the U2 version didn't happen; I just don't remember it. Possible King's X convos got conflated?
Oh, and the f-bomb and condoms and all that is beyond stupid. (Even with the added caveat of UK culture being softer on f-bombs than ours.) I was the dude who posted on Bono being an idiot for hanging out in a hot tub with chicks he wasn't married to, remember? :-)
But I'm glad you called him "the Bono." You're learning.
As for their music and their faith in the 90's I'd say "kind of" to Bill. They have never been American evangelicals. "Salty" language including the F word isn't something they have a problem with. As Eugene Peterson said to his daughter when she heard Bono use the F word and said "but I thought they were Christians" - "honey I think that's how a lot of Irish Christians talk." As for Achtung Baby and Zooropa, Pop etc. U2 was taking a lot of hits from the critics for being so heart-on-the-sleeve sincere. Their Rattle and Hum album and movie were critically slammed, even though they sold fairly well. So U2 basically said "we have to reinvent ourselves. Our message is still the same but we have to slip it in through the back door because nobody is going to listen to us anymore if we stay as we are." In some ways their art transitioned from the modern (more straightforward) to the postmodern (more ironic and parodying what they had become, and the whole rock star image). That's what their 90's stuff was about - and they also put out a lot of stuff exploring the darker side of life and doubt, echoing parts of ecclesiastes and the darker Psalms, and acknowledging the allure of sin while not shying away from its consequences (in the book U2 at the End of the World they say Achtung Baby basically follows a married man as he strays from his wife and family - including both the attractive "pleasure of sin for a season" through the aftermath and the pain, with no easy, neat resolution).
At the same time, in their personal lives the 90's were their party years. Again, while never teetotaling American evangelicals they were a little more straight laced (at least by Irish rock band standards) in the 80's. They admit without going into specifics, that in the 90's, with the band in their 30's they kind of got into a lot of the rock star partying stuff that they had eschewed in their 20's. So yeah, there was probably some "drift" away from where they had been or should be. But the content of their faith remained basically the same.
Bono has said that he is so put off by so many Christians that he at times doesn't want to wear the lablel - and that's where he was when he gave that quote. He has never stopped considering himself a follower of Jesus though, and has come back around to being comfortable with the Christian label even if still uncomfortable with a lot of Christians.
This is a mini-review of Achtung Baby, by the late Dwight Ozard:
"For however graceful The Joshua Tree was, Achtung Baby!, U2’s first release of the 90’s, was equally troubling. After a movie and live album (Rattle and Hum) and a nearly two year hiatus, U2 had reinvented itself. Gone was the straightforward anthemic sound of the band, and gone too were the obvious message songs. Instead, U2 went to Berlin, where hero David Bowie had made so many ch-ch-changes. There the band created a techno-heavy, high-powered Euro-sound that was as jarring as it was energetic, wrapping it around songs that no longer dripped with sincerity, but instead with layers and layers of irony, mixed-messages and complex metaphor. At first listen it sounded to me like the embrace of rock and roll themes had overwhelmed the band’s sincerity. Even the bands new look—all leather and glam sweat—seemed to mock the furrowed-browed, change-the-world sincerity of the band’s first decade. I went on my radio show after one listen and trashed it thoroughly.
"A week later, however, I was back on the radio apologizing, and calling it the greatest rock record ever made. My apology holds—this is a timeless record, one that after a decade still finds something new to offer me, and more important, challenge me. Careful listening revealed the band’s embrace of the “rock star” thing through this period as a deconstruction of the myth of rock culture—a deconstruction that took full incarnation in Bono’s Zoo-TV tour on-stage characterizations.
"But despite Achtung Baby’s dark exterior, 10 years of listening has convinced me that this is among the most “faith-filled” discs ever made. The difference, of course, is that the songs on Achtung Baby! embrace the pain as well as the pleasure of this increasingly material world—and then finds a way to make compassion as immediate and intimate as the suffering it relieves. Still exciting, and still pure grace to me.
Eugene Peterson considers U2 modern day prophets:
http://www.atu2.com/news/bonos-prophetic-vox.html
If you didn't get to see U2 on their current tour, last Sunday's 360 Tour show from the Rose Bowl was recorded live in HD and is available on their Youtube channel. The sound and video are great - you can maximize the screen, plug in your earphones and enjoy. It's a great concert.
http://www.youtube.com/user/U2official?feature=chclk#p/u
I mean, we had those conversations, right? Remember the email discussion we had ten years ago, pre Thinklings, about the Bono quote stating that he doesn't really consider himself a Christian?
Like Jared, I don't remember those conversations. I do remember the Gaskill one, though. I'm not saying the convos never took place. Although I was a fan ten years ago, my level of naivete with regard to their history was pretty high.
"Bono has said that he is so put off by so many Christians that he at times doesn't want to wear the lable - and that's where he was when he gave that quote."
This could take me off on a whole 'nother tangent altogether, and one I've ranted about many times. Bono probably thinks people like me are The Problem . . .
But I better not go there. I'm in enough trouble with all of you as it is.
Yeah, he's one of those awful liberal Christians - on at least some issues. But I think we worship the same savior.
Bono to Michka Assayas:
Assayas: I think I am beginning to understand religion because I have started acting and thinking like a father. What do you make of that?
Bono: Yes, I think that's normal. It's a mind-blowing concept that the God who created the universe might be looking for company, a real relationship with people, but the thing that keeps me on my knees is the difference between Grace and Karma.
Assayas: I haven't heard you talk about that.
Bono I really believe we've moved out of the realm of Karma into one of Grace.
Assayas: Well, that doesn't make it clearer for me.
Bono You see, at the center of all religions is the idea of Karma. You know, what you put out comes back to you: an eye for an eye, a tooth for a tooth, or in physics—in physical laws—every action is met by an equal or an opposite one. It's clear to me that Karma is at the very heart of the universe. I'm absolutely sure of it. And yet, along comes this idea called Grace to upend all that "as you reap, so you will sow" stuff. Grace defies reason and logic. Love interrupts, if you like, the consequences of your actions, which in my case is very good news indeed, because I've done a lot of stupid stuff.
Assayas: I'd be interested to hear that.
Bono That's between me and God. But I'd be in big trouble if Karma was going to finally be my judge. I'd be in deep s---. It doesn't excuse my mistakes, but I'm holding out for Grace. I'm holding out that Jesus took my sins onto the Cross, because I know who I am, and I hope I don't have to depend on my own religiosity.
Assayas: The Son of God who takes away the sins of the world. I wish I could believe in that.
Bono But I love the idea of the Sacrificial Lamb. I love the idea that God says: Look, you cretins, there are certain results to the way we are, to selfishness, and there's a mortality as part of your very sinful nature, and, let's face it, you're not living a very good life, are you? There are consequences to actions. The point of the death of Christ is that Christ took on the sins of the world, so that what we put out did not come back to us, and that our sinful nature does not reap the obvious death. That's the point. It should keep us humbled… . It's not our own good works that get us through the gates of heaven.
Assayas: That's a great idea, no denying it. Such great hope is wonderful, even though it's close to lunacy, in my view. Christ has his rank among the world's great thinkers. But Son of God, isn't that farfetched?
Bono No, it's not farfetched to me. Look, the secular response to the Christ story always goes like this: he was a great prophet, obviously a very interesting guy, had a lot to say along the lines of other great prophets, be they Elijah, Muhammad, Buddha, or Confucius. But actually Christ doesn't allow you that. He doesn't let you off that hook. Christ says: No. I'm not saying I'm a teacher, don't call me teacher. I'm not saying I'm a prophet. I'm saying: "I'm the Messiah." I'm saying: "I am God incarnate." And people say: No, no, please, just be a prophet. A prophet, we can take. You're a bit eccentric. We've had John the Baptist eating locusts and wild honey, we can handle that. But don't mention the "M" word! Because, you know, we're gonna have to crucify you. And he goes: No, no. I know you're expecting me to come back with an army, and set you free from these creeps, but actually I am the Messiah. At this point, everyone starts staring at their shoes, and says: Oh, my God, he's gonna keep saying this. So what you're left with is: either Christ was who He said He was—the Messiah—or a complete nutcase. I mean, we're talking nutcase on the level of Charles Manson. This man was like some of the people we've been talking about earlier. This man was strapping himself to a bomb, and had "King of the Jews" on his head, and, as they were putting him up on the Cross, was going: OK, martyrdom, here we go. Bring on the pain! I can take it. I'm not joking here. The idea that the entire course of civilization for over half of the globe could have its fate changed and turned upside-down by a nutcase, for me, that's farfetched …
Bono later says it all comes down to how we regard Jesus:
Bono: … [I]f only we could be a bit more like Him, the world would be transformed. …When I look at the Cross of Christ, what I see up there is all my s--- and everybody else's. So I ask myself a question a lot of people have asked: Who is this man? And was He who He said He was, or was He just a religious nut? And there it is, and that's the question. And no one can talk you into it or out of it.
Yeah, he's one of those awful liberal Christians - on at least some issues. But I think we worship the same savior.
Karl, is this a response to something I said?
Bill, it was in response to your #35.
I understood you to be saying that Bono probably thinks conservative Christians (as typified by American fundies and conservative evangelicals) are the problem, and to be hearkening back to your comments in other threads about people who want to be known as Christ-followers or some such thing, rather than as Christians, and how you don't like that. Sorry if I misunderstood.
My comment (36) was mostly tongue in cheek - or sarcastic but in a "between friends" kind of sarcasm and not meant in a mean spirit. You made it clear in posts above that you accept Bono's faith as genuine.
Thanks Karl. I didn't take it personally, just was trying to understand.
Honestly, I wasn't thinking Liberal/Conservative at all, but more along the Christ-follower thing, which you pegged above.
I like the Assayas interview - I applaud Bono for what he said in it.
I love that interview - it really highlights why "Grace" is my favorite U2 song - I mean, U2 has a lot of Christian messages and overtones in their music, but this is the song that has always told me that Bono really "gets it".
Though the song doesn't mention God or Christ, it makes a sham out of "reaping what you sow" and "karma", and replaces it, basically, with Eph 2:8,9.....for me, that's too perfect for words.
"She [grace] travels outside of karma"
- tied for my "Favorite Lyric of All Time"......
....with Peter Gabriel's "I see the doorway to a thousand churches, the resolution of all the fruitless searches".
from "In Your Eyes"....which proves once again that bands with secular labels produce the best Christian music. ;)
Glad you guys liked the interview. Actually it's an excerpt from a book, "Bono: In Conversation with Michka Assayas." Christianity Today excerpted the book in an article a couple of years ago, and those quotes are from that (longer) CT article. I recommend the article (linked below) and the book:
http://www.christianitytoday.com/music/interviews/2005/bono-0805.html
Did anyone read the Dwight Ozard description of Achtung Baby! before it got buried under my avalanche of further posts? Any thoughts?
Ozard was a great, perceptive voice analyzing the music industry from a Christian perspective. Here is his discussion of The Joshua Tree, from the same article (a 10 Albums I'd Want on a Desert Island-type article). Actually in the article this discussion of Joshua Tree immediately precedes the portion I copied above re. Achtung Baby. Let me know what you think of his take on The Joshua Tree.
"OK, I’ll be honest. It’s hard for me to pick only two U2 records for this list—I honestly could tack any of the bands 10 albums from the last 20 years on this list and feel like they belong. 1981’s October, for example, remains a landmark for me with its impassioned stretching of cultural boundaries and unashamedly Christian faith, making the angry energy of punk into protestations of joy and hope. To break the tie I did some simple calculations, so I narrowed myself down to the two I listen to most.
"The Joshua Tree was the beginning of the end of the “old U2”, and on that disc you hear echoes of the very earnest, very Christian, very straight-forward songs of personal and national politics that made the U2 the “band of 80s” and made them the heroes of fans of exultant arena anthems. At the same time, on this disc you see the band’s movement into a more worldly, ironic, and impressionistic way of thinking.
"Perhaps anchoring the disc is “Still Haven’t Found What I’m Looking For” in which Bono at once confesses an unfaltering faith in Christ and yet confesses that his experience of faith leaves him unsatisfied and restless for more. For the band's more conservative fans, this was a hard one to swallow, but for many of us, it was both a moment of self-awareness and a challenge to our journey of faith. I know it was for me, and it solidified my belief that Bono et al are the pop culture prophets of our time.
"Other songs on the record, like the stirring “Where the Streets Have No Name” juxtapose the struggles of this life and the yearnings for spirituality in our lives. The song chronicles the odd sense of being fully alive that came to Bono and his wife Ali after several months of serving in Ethiopian refugee camps after the 1984-86 famine. Ironically, many fans understood the song as a yearning for heaven—when in fact it was a yearning for the hints of the Kingdom of God found in serving the least, the last and the lost.
"Perhaps most interesting on TJT is Bono’s maturing fascination with the prototypical themes of rock and roll, as sex and drugs found their way onto a U2 record. The difference, of course, is that the band wasn’t interested just in “getting down in the back of a motor car,” but in the results of that indescretion. In short, on TJT U2 was making rock and roll for grown-ups.
"Until this year I believed that TJT tour was the single greatest rock moment ever—the band captured the depth of passion of the album and expanded on it in a way that made the audience come together in a kind of community that most churches only dream of. I remember weeping through half the show, wanting to hug almost anyone, to look people in the eyes and say: “Isn’t life a good thing?” At that moment, and in recollection of it, it surely is.
Sorry to come back in late to the party, but two things;
1. Stuck in a moment is about Michael Hutchence,of INXS, who committed suicide.
2. Like the thoughts on "Still Haven't Found." I've wrestled with that one, but here's where I've come to: I certainly don't ever want to say "I found Jesus, but He's not enough." Knowing Jesus has answered a ton of questions for me. At the same time, it's raised a ton as well. For one thing, it teaches me to look, even to wait and groan, for the consummation of the new kingdom. I believe it, but I haven't found it (in its entirety) yet. But it's coming, and finding what I'm looking for before it's completely come is a distraction from the "Heavenly City, who's architect and builder is God." So I like the song, with that caveat



Numb.
The Fly. Well sort of, more like the video they play during live performances of the Fly
No clue. Guess I still have a life
Unknown Caller
Bullet the Blue Sky
The Fly proper
Stuck in a moment you can't get out of (easy)
Discotheque (easier)
Beautiful Day live performances